A woman brings her fiancee home to meet her parents and secrets are revealed. Based on an old Irish folksong, it’s either a light drama or a dark comedy. But it plays extremely well and taught me something when I first produced it. The play has a pretty important reveal (which is the raison d’etre for writing the piece) and I tried to hide that it was coming in the dialogue but I noticed that some people in the audience figured it out before the play got there. It didn’t matter. They enjoyed the “moment” as much as those who were totally surprised.
Two women try to convince their recently divorced friend, Sally, to come out of the room with the coats at a fancy party and flirt with an eligible bachelor. The play has a twist at the end which confuses some audience members and occasionally infuriates others (notably my friend Cherie Vogelstein). This show has had numerous local productions.
One of my most popular plays, one that’s had many productions and won a couple of festivals. A man meets a woman on a blind date but she’s brought with her an unusual companion. When I brought this show in to Aural Stage, the reading did not go well. Because this play derives so much of its humor from the physical, it is difficult to do a reading of it and get any sense of the impact. I lost faith in it. But when it was selected for inclusion in a local festival I asked my wife if she wanted to try to breath life into it. She did a terrific job with the show which played like gangbusters and got me several inquiries from folks wanting to produce it elsewhere.
A woman stumbles into an ice cream store and flashes back to a similar store some 35 years before, when she encountered a mysterious and damaged Vietnam vet. Only she comes away from the flashback with new knowledge that changes her life. Two middle aged women, one 13 year old girl and a 40 year old man. Produced in a couple of venues by me and once in Sisters, Oregon. Written for a remarkable young local actor, Maddy Sledge.missing